Atomos Sumo19 Se Monitor Recorder And Switcher
Sumo 19The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.
Proven.Reliable.With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.
Rugged and versatile design suitable for every application
1200nit HDRTouchscreen
ProRes RAWUp to 6K
4x ISO+ProgramRecord
Live SwitchProgram Out
Record up to 6Kp30 ProRes RAWUnlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.
10-bit ProRes and DNx up to 4Kp60Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.
High-bright & HDR monitoringWith 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.
Live Quad-channel HD Switching & RecordingRecord up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.
Two stereo balanced XLR inputs with 48VThe full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Specifications
Physical Specifications
Dimensions (W x H x D mm)- 310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"
Weight Mount points T- op: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"
VESA mount Environmental
Ambient operating temperature Construction and Control
Cooling - Actively controlled fan and Heat Sink
Tally light Multi-function button Touch Screen Power
Input voltage Operating power Compatible batteries - V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.
Battery voltage Battery Run time (Record) - Depends on Watt Hours specification of battery used
Battery Run time (Monitor only) - Depends on Watt Hours specification of battery used
Continuous power - Dual Battery input via dedicated 4 pin XLR
DC in connector Dtap - Via optional D-Tap to 4 Pin XLR cable.
Display
Touchscreen - SuperAtom IPS panel (capacitive touch)
Size Resolution PPI Bit depth Backlight Type - Optically bonded quantum dot
Brightness (cdm2 / nits) - 1200nit (+/- 10% @ center)
Aspect ratio De-interlace mode Color Gamut Calibration support - Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma - Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
Gamut - BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide
3D LUT Display 3D LUT Output 3DLUT 50/50 Monitoring Modes - Native/ 709 / HLG / PQ / 3D LUT
HDR output Conversion Color Management
Calibration - Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls - Backlight, Lift, Gamma, Gain
AtomHDR - Built in Technical Log to HDR EOTF
3D LUTs - Display, monitor and output, Record, Load via SSD
Legalize - Full to Legal conversion available on Input
Video Input
HDMI HDMI RAW SDI - 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
SDI RAW - Apple ProRes RAW up to 6Kp30
Bit Depth - 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling HDR Metadata
SDI - File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
File Naming
Standard Via SDI Video Output
HDMI SDI loop out - 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
SDI Play out - 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
Video Chroma Subsampling Bit Depth Web Streaming
USB UVC - Optional via ZATO Connect / USB Stick
Video Signal Conversion
HDMI to SDI SDI to HDMI Audio In/Out
Audio Quality Audio Codec HDMI - 8ch 24Bit, input dependent
SDI - 12ch 24Bit, input dependent
Analogue Audio in Analogue Audio Out Speakers Headphone out Timecode / Sync
Embedded Time of day LTC - LTC via BNC input in Record mode
Genlock Resolution and Frame Rates (Record, Monitor & Playback)
4k DCI 4k UHD 2K DCI 2046 x 1080 FHD 1920 x 1080 Progressive FHD 1920 x 1080 PsF FHD 1920 x 1080 Interlaced 1280 x 720p 6K RAW 4K RAW 2K RAW Recording CODEC
CDNG Apple ProRes RAW - ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
Apple ProRes - Apple ProRes HQ / 422 / LT up to 4Kp60
Avid DNxHD Avid DNxHR Playback
Playlist - Yes, Create custom play lists from full or sub clips
Loop - Yes, with user customizable in / out markers
CDNG Apple ProRes Raw - Yes, recorded clips with linear PCM
Apple ProRes - HQ / 422 / LT - Yes with linear PCM
Avid DNx - DNxHR / DNxHD - Yes with linear PCM
Monitoring
SDR HDR De-Interlace Recording functions
Pre-roll record - Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record - 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record Timelapse Multi Input / Switching
SDI A/B toggle - Yes, supports up to 12G SDI per input
Dual Input display Multiple SDI input - Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Multiview Display Input transitions - Auto or manual XML transition
Input Switching Supported media
Master Caddy I SSDmini - Yes (AtomX SSDmini handle required)
CFast II File System Interface Master Caddy III On screen tools
Waveform RGB parade Vector scope 1 x Zoom - Yes. 1:1 Pixel mapping for 4K
2 x Zoom Focus peaking - Colour selected / threshold setting / colour/ Mono / edges only
False colour Zebra Isolate color channel Cine Frame Guides - 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides Safe areas - SMPTE frame size – Action and Safe
Grid markers Anamorphic desqueeze - Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
Display Flip False Color Onboard Signal Processing
4K UHD Downscale for HD DCI Crop - Loop out - 17:9 to 16:9 Crop
I > P PSF > P - 24/25/30pSF > 24/25/30p (2:2 pulldown)
Remote control
HDMI - Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI - SDI trigger, camera selectable
Serial 2.5mm Jack - LANC control and calibration via optional USB to serial cable
Cut & Tag
FCP XML - Cut tag EDL and Multicam with transitions in FCP XML
Supported Applications
XML Apple ProRes RAW - Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
Video Codecs - All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Warranty
Standard Extended Target use / User
Cinema Director Monitor Mixer/Swircher/ProAV Rack/OB DIT/Video Village Pro Video Editor/Colorist
What's In The Box:
- Sumo unit
- 1x Master Caddy II
- 1x BattWing mounting bracket with 4x screws
- 2x Desktop Feet with 4x 1/4” Mounting screws
- AC power supply